Friday, April 15, 2016

WALCHENSEE OR KOCHELSEE?

Walchensee Landscape, 51 x 61 cm watercolor and gouache by Lovis Corinth

Kochelsee in the Rain, 12 x 16 inch watercolor and gouache by George C. Clark    AVAILABLE

I was looking at pictures in my catalog from the big Lovis Corinth exhibition that appeared in museums in Munich, Berlin, Saint Louis and London in 1996-7 when I noticed something that hadn't registered with me on many earlier studies of that book.  On page 355 a watercolor landscape is reproduced that was signed by Corinth, inscribed "Walchensee," and dated August 1924.  However, I am almost certain that the lake depicted is not in fact the Walchensee but the nearby Kochelsee.   And the reason I know this is because I painted that same lake from almost the same point of view on a visit to Germany some years ago.

We had flown into Munich and rented a car to explore southern Germany.  We visited a couple of Mad King Ludwig's castles and then headed for what I considered Corinth Country.  Corinth has been a favorite painter of mine since I discovered his work in a wonderful big book edited by his widow that I found in the art books department of Kroch's and Brentano's while I was in art school in the 1960s.  That book cost $180.  There was no way I could afford to buy it, but I spent a lot of time looking at it in the store.  The man who ran the art department was very tolerant of poor art students.  I think he suspected that some day I would be an art book collector and a good customer.  Thank you, Henry.  In 1998 the U.S. Air Force Art Program flew me to Frankfurt to attend the celebration of the 50th anniversary of the Berlin Air Lift and I found a new reprint edition of Charlotte Berend-Corinth's 1958 book Lovis Corinth that I bought.  

Toward the end of World War I Corinth started spending his summers in the alpine lakes region of southern Bavaria.  In 1919 he built a house in the village of Urfeld on the shore of the Walchensee and spent increasing amounts of time there each year until his death in 1925.  His "Walchensee" paintings proved very popular with collectors and he painted a lot of them, some from his own property overlooking the lake, and some from other vantage points in the area.  I based myself in the larger town of Rottach-Egern nearby and spent a full day poking around the places Corinth lived and worked.   I drove around the lakes and explored the little lakeside villages.   It was raining when I pulled off the road at a scenic overlook and painted the watercolor posted above.  I sat in the passenger seat of my rented Volkswagen Golf with my watercolor block on my lap and the paints on the open door of the glove compartment.  I had no idea at the time that my painting idol had painted almost the same view decades earlier, although on a sunny day.  

Why did he inscribe his painting Walchensee and not Kochelsee?  I figure he either forgot which exact body of water he had depicted when he was signing his work perhaps weeks later, or he was using Walchensee as a blanket description for all the locations he painted while living at his house on that lake.  That view overlooking Kochelsee is only about 3 kilometers from his house, after all.       

Thursday, March 31, 2016

SAILING SCHOOL DOCK, WILMETTE HARBOR

Sailing School Dock, Wilmette Harbor, 16 x 12 inch watercolor by George C. Clark   SOLD

Wilmette is a suburb north of Chicago on Lake Michigan.

Friday, February 5, 2016

THE LAST TOMATO IN PAT'S GARDEN

The Last Tomato in Pat's Garden, 12 x 16 inch watercolor by George C. Clark    SOLD

Whenever I do a a "Traveler's Sketchbook" exhibition like the recent one at Beverly Arts Center I describe the subjects as "ranging from the artist's own Chicago backyard to the back roads of Europe."  Here is a painting from my back yard.  I painted it late in the season when the climbing beans had gone crazy and there was a single tomato still ripening.  I asked my wife to leave some of her tools out so that they could be in the picture.

Saturday, December 5, 2015

ROOFTOPS OF CHESTER, ENGLAND

Rooftops of Eastgate, Chester, England, 9.5 x 12.5 ink and watercolor by George C. Clark   AVAILABLE

The ancient city of Chester, on the Welsh border, is the last stop for a subway train you can board in downtown Liverpool.  The ground floors of the old buildings lining Eastgate are full of modern shops and eateries, even a Disney Store.  I preferred to look up for this on-site drawing.

This is the last weekend to see Traveler's Sketchbook, my exhibition at Beverly Arts Center in Chicago.

Thursday, October 29, 2015

TRAVELER'S SKETCHBOOK EXHIBITION AT BEVERLY ARTS CENTER IN CHICAGO NOV. 6 to DEC. 6, 2015

Albert Dock, Liverpool UK, 13.5 x 9.5 inch ink and watercolor by George C. Clark    AVAILABLE

Albert Dock, drawn on my recent visit to England, will be one of 50-plus paintings and graphics from my Traveler's Sketchbook Series featured in the main floor galleries of the BEVERLY ARTS CENTER, 2407 W. 111th Street, Chicago, Illinois 60655 from November 6 to December 6, 2015.  Gallery hours are 9am to 9pm Monday through Friday, 9am to 5pm Saturday, and 1 to 4pm Sunday.   "Traveler's Sketchbook" is what I call the mostly small-scale, mostly on-site watercolors and drawings I make of places and things I find interesting on my travels.  Subjects range from my own Chicago back yard to the back roads of Europe.  Also shown will be a few of my large-scale studio landscapes.

THERE WILL BE AN ARTIST'S RECEPTION ON SUNDAY, NOVEMBER 15 FROM 2 TO 4PM.  Everyone is welcome.

Sunday, October 25, 2015

ON THE EAST SUSSEX SEACOAST

The View from the Beekeeper's Cottage, 10.5 x 14.5 inch ink and watercolor by George C. Clark    AVAILABLE

I drew this one in England about a month ago.  Those who know who the beekeeper in the painting's title is may appreciate what it means when I tell them that two and a half weeks ago I had breakfast at Speedy's Sandwich Bar and Cafe in London at a table positioned almost exactly where Mycroft told Watson the bad news about Irene Adler.  And I enjoyed the omelette, chips and cappuccino too.

UPDATE:  APRIL 20, 2016
I just saw the movie Mr. Holmes on Netflix.   In it, Ian McKellan portrays 93 year old retired detective Sherlock Holmes keeping bees on the East Sussex downs, a retirement mentioned several times in Conan Doyle's stories.  I swear that when I made and titled this painting in England last fall I had no idea that these chalk cliffs called the Seven Sisters had been portrayed in the movie as being within walking distance of Mr. Holmes' (the beekeeper's) cottage.  

Thursday, October 15, 2015

JET-LAGGED IN BRIGHTON, ENGLAND

Jet-lagged in Brighton, U.K., 14 x 10 inch ink drawing by George C. Clark    AVAILABLE

This is me about three weeks ago, on the first night of a visit to the United Kingdom.   I can never sleep much on airplanes which made for a very long day.  I crashed after supper in my hotel in Brighton on Britain's south coast,  but then found myself wide awake in the middle of the night.  I pulled a chair into the bathroom, set it in front of the sink, and drew this self-portrait.  The chrome faucet in the foreground is real and everything else in the drawing is the reflection I saw in the mirror.